Brace yourselves as I’m in new territory here as far as post writing is concerned. Two reasons: yesterday I finished a book which is relevant, and unbelievably, I’ve just done seven minutes of research.
The book: Art of Learning. This is about an American fella called Josh Waitzkin. From being a chess prodigy, he quit the game at twenty three, took up a form of Tai Chi, and went on to become world champion. It is a highly illuminating and in depth analysis of the competitive psyche, and I recommend it.
While reading, it made me think about Mesut Ozil.
Waitzkin talks about the fine margins that define the difference between competitors at the very highest levels of any discipline/sport. Part of that difference is the recognition that you cannot operate at peak performance at all times, and true champions know how to operate at a higher level for most of the time and elevate to peak level for short but decisive moments. This is Mesut Ozil.
Now the research bit. This morning I googled the Low German World Cup team formations and then did ditto for the Unai PSG sides, as I wanted to understand how and where Mesut was likely to fit in.
For Germany Mesut plays central of a three behind a lone striker. These three operate in front of the rock steady pair of Khedira and Kroos.
Next up, Unai’s PSG. Here we see a temptation to play a deeper anchor midfielder with two in front. Can’t do this as you end up with the awful box to box headless chicken runners stuff. Happily, many google images of the Emery PSG line ups show the more Germanic set up with the two, which of course, is what any sensible manager would do to optimise The Mesut Ozil.
Arsene understood that creative genius is an essential component to the art of football, and even the more pragmatic Germans realise that a Mozart needs someone to build the concert hall.
Written by MickyDidIt89